There’s only a few hours to go until Jeremy Scott unveils his first men’s collection chez Moschino in London! Your Daily snagged an interview…
Jeremy Scott
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There’s only a few hours to go until Jeremy Scott unveils his first men’s collection chez Moschino in London! Your Daily snagged an interview…
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Linda Evangelista appears in black and white in Moschino‘s new campaign, shot by Steven Meisel. You’ll recall this collection for Fall…
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As if you expected the surprises from Jeremy Scott chez Moschino to end, another announcement surfaces. This time, the creative director…
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Is John Galliano Back? [Vanity Fair] He’s reportedly been named creative director at Russian cosmetics label L’Etoile MSGM: Off-Kilter, Off…
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Street style fave Anna Dello Russo wasted no time in getting her hands on a piece of Jeremy Scott’s first collection chez Moschino. She opted to wear this McDonald’s-inspired sweater and bag to sit front row at Moschino yesterday…and decided on the same getup for the Sportmax show today.
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Moschino has more to celebrate then just their 30th anniversary. The brand has announced that Jeremy Scott has been named creative director of the Italian label. Scott will be replacing Rossella Jardini, who has been at the brand since 1994, the same year that the founder of the house, Franco Moschino, passed away.
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Move over, Jeremy Scott, there’s a new Adidas collaborator in town: Selena Gomez. While her version of the label’s signature three-striped sneaks don’t include wings, like Scott’s have been known to, the singer/actress’ shoes do sport golden fringe. Under the NEO label, Gomez created a whole assortment of cut-out, studded, and fringed items for the Winter 2013 collection.
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Marchesa: Seeing as Marchesa is synonymous with romance, Keren Craig and Georgina Chapman stayed true to what they do best this season. There was a touch of dark glamour via black feathers dotting the coifs and plum matte lips, a majority of the collection featured floaty tulle frocks embellished with flower appliques and wound with ribbon. With an eye on the Twenties, Thirties, and Fifties, the clothes spanned the decades featuring styles that were popular during those exact time periods. For the Twenties, silk fringe was draped into a pencil skirt and strings of pearls swung with a musical quality on a full-length dress. Bias cut slip dresses, repping the Thirties, were hand painted with florals and toughened up with black tulle or made light as a cloud with white tulle. When the collection was brought into the Fifties, tea length gowns were all the rage, especially when topped with sheer T shirts, revealing floral bustiers underneath. While Christian Louboutin offered up a breathtaking selection of red-soled pumps with winding ankle straps to accompany the frocks. But the chicest accessory at the white carpeted event, held at the New York Public Library, just might’ve been the floral tattoos whipped up by Scott Campbell.
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Jeremy Scott: The designer’s latest offering was typically Scott. Googley cartoon eyes, exploding brains, and pithy graphic t-shirts—”Adults Suck, Then You Are One,” “Too Weird To Live”—abounded. The imagery was inspired, Scott said, by West Coast skate culture and a generalized adolescent perspective on the world. Ironically, Scott brought a very adult kind of discipline to exploring that kind of anti-establishment juvenilia. His collection was very coherent, ranging from red plaid pleated pants like punks used to wear to pendant necklaces that bore the anarchy symbol. These clothes invite you to look, then say, “What are you looking at?”